By creatively navigating from critical theory to music, film, fiction, and back to music, Klein distills the kinds of meaning that we have been missing when we perform, listen to, think about, and write about music without the insights of Lacan and others into formulations of modern subjectivity.
Ik heb een vraag over het boek:
‘Music and the Crises of the Modern Subject - Klein, Michael L.’.
Vul het onderstaande formulier in.
We zullen zo spoedig mogelijk antwoorden.
